#A cursed life a half life series

The entire series is then the story of an antagonist struggling to deny death, matched against a protagonist who is maturing toward accepting it. It would be easy to conclude that Harry is simply fighting death in the series, but that role is actually reserved for Voldemort himself, whose name can be translated from the French to mean вЂњflight from death,вЂќ not death itself. Voldemort looks like death, he brings death wherever he goes, his army are the вЂњDeath-Eaters,вЂќ and several aspects of his iconography associate him with the Grim Reaper of legend.Дeath has defined Harry's character development. This contrast is again the pivot-point of the mortality theme that Rowling develops. DumbledoreвЂ™s death, of course, leaves Harry rudderless and vulnerable, forcing him to mature to a new level of personal responsibility.Д«y Book Seven, HarryвЂ™s own death represents the ultimate boon that bestows upon him the power to at last defeat Voldemort, whose vulnerability is created by horcruxes, dark magic used to protect him at the expense of his living soul.ДЄs Harry marches to his death, вЂњEvery second he breathed, the smell of the grass, the cool air on his face, was so precious.вЂќ In this moment, as Harry accepts death, life itself becomes sweet, even beautiful - a sharp contrast to the cursed life that Voldemort cannot escape from. SiriusвЂ™s death shows Harry the high cost of HarryвЂ™s mistakes and the extent to which death can alter his future. Upon hearing this, Harry wonders вЂњIf youвЂ™re going to be cursed forever, deathвЂ™s better, isnвЂ™t it?вЂќ thus showing us HarryвЂ™s internal perspective on VoldemortвЂ™s choice.Дumbledore himself confirms HarryвЂ™s viewpoint at the end of the novel by telling Harry that вЂњto the well-organized mind, death is but the next great adventure.вЂќ If we put these pieces together, the death theme Rowling uses is all laid out within the very first book.ДЄs the series progresses, it is death that defines HarryвЂ™s character development. In this, he immediately establishes his contrast to Voldemort, who desperately seeks the stone in order to extend what the centaur Firenze calls вЂњbut a half life, a cursed life.вЂќД«ook One: Harry's first adventure. In his first adventure, Harry is tempted by the life-prolonging вЂњphilosopherвЂ™s stoneвЂќ of legend.ДЄt the end of that story, Harry is only able to obtain the stone from the Mirror of Erised because he does not want to use it. So what role does all this death play in the Harry Potter franchise? Death in Potter If the author is using that pattern to say something, however, the pattern becomes a theme. Without that statement, a pattern is just a motif.

Thus, a theme is a comprehensible viewpoint that emerges from a pattern of recurrence - a statement, if you will, that we perceive through progressive repetition and associated symbolism. We apprehend the theme by inference вЂ“ it is the rationale of the images and symbols, not their quantity.вЂќ

Literary theorist Roger Fowler notes that: вЂњA theme is always a subject, but a subject is not always a theme: a theme is not usually thought of as the occasion of a work of art, but rather a branch of the subject which is indirectly expressed through the recurrence of certain events, images or symbols. Death recurs throughout the series, but recurrence is not enough to constitute a theme. Death initiates the core conflict of the series death escalates in each text death creates the tool by which Harry can defeat Voldemort and death resolves the conflict in the end, since VoldemortвЂ™s death is the end of the war itself. This theme at the core of RowlingвЂ™s wizarding world speaks directly to a universal human reality: The struggle to come to terms with our mortality.Дeath is obviously big in Harry Potter. We tend to think of Harry Potter as an escapist delight, but RowlingвЂ™s work also expertly constructs a poignant extended theme that has more in common with King Lear than most English professors might care to admit. RowlingвЂ™s work, the literary community has been somewhat slower in figuring out exactly what the series has to say.

Harry Potter is the literary phenomenon of the past century, and while our society has had no difficulty celebrating J.K.

A cursed life a half life